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Last night (Thurs 22 Oct), we were thrilled to officially announce to press the winners of the esteemed 2020 CWA Daggers. The announcement was under a 10pm embargo after the…
Last night (Thurs 22 Oct), we were thrilled to officially announce to press the winners of the esteemed 2020 CWA Daggers.
The announcement was under a 10pm embargo after the live virtual ceremony, hosted by Barry Forshaw and featuring guest speaker, Pointless-star turned author, Richard Osman.
We penned the press release and organised the media coverage and its syndication by the Press Association to its extensive online regional news sites across the UK. It also ran in trade press, such as The Bookseller, and influential book blogs including Shots Magazine, Crimespree and Crimetime, alongside future stories in Writer’s Magazine. The winning titles were also featured in a bespoke Waterstones page, and the winner of the debut Dagger interviewed for broadcast on ITV Tyne Tees.
The awards are gaining more traction in the media, with mentions yesterday on BBC Classic FM. The Daggers were also referenced this year as the most prestigious awards of the genre by BBC Front Row.
Full release below.
CWA Dagger Awards 2020 Winners Announced
Michael Robotham, Lou Berney, Casey Cep, and Abir Mukherjee win 2020 CWA Dagger awards.
The winners of the 2020 CWA Daggers, which honour the very best in the crime writing genre, have been announced.
The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.
The winners were announced during a live virtual ceremony (on evening of 22 October), hosted by one of the UK’s leading experts on crime fiction, the writer and reviewer Barry Forshaw. The evening also featured guest speaker, Richard Osman.
The 2020 CWA Gold Dagger for the best crime novel went to Michael Robotham for Good Girl, Bad Girl, featuring forensic psychologist, Cyrus Haven. Born in Australia, Michael worked as a journalist in Australia, America and the UK as senior feature writer for the Mail on Sunday before becoming a ghost writer collaborating with politicians and show business personalities to write their autobiographies. Since his first psychological thriller, The Suspect caused a bidding war at the London Book Fair in 2002, his novels have won numerous awards and have been translated into 25 languages. He was previously awarded the Gold Dagger for Life or Death in 2015.
Lou Berney has won the Ian Fleming Steel Dagger for best thriller for November Road, a poignant crime novel set against the assassination of JF Kennedy. The novel attracted widespread acclaim from reviewers and fellow authors alike, with Stephen King declaring it ‘exceptional’. The American author has previously won the Edgar, Anthony, Macavity, Barry, and Oklahoma Book awards. Berney was also Highly Commended in the CWA Gold Dagger category.
The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. This year the accolade goes to Trevor Wood for The Man on the Street, featuring a homeless veteran grappling with PTSD, dubbed by Lee Child as ‘an instant classic’. Wood, a journalist and playwright, has an MA in Creative Writing from the University of East Anglia. He served in the Royal Navy for 16 years.
Abir Mukherjee wins the Sapere Books Historical Dagger for his fourth novel featuring Sam Wyndham, Death in the East. The accountant turned crime writer was inspired to become an author after watching Lee Child on breakfast TV say he started writing age 40. Abir’s debut, A Rising Man, won the Dagger for best historical crime novel in 2017. Death in the East explores the legacy of colonialism in India.
The Crime Fiction in Translation Dagger goes to Hannelore Cayre for The Godmother, translated by Stephanie Smee. Hannelore Cayre is an award-winning French novelist, screenwriter and director, as well as a practising criminal lawyer. The Godmother has been made into a feature film starring Isabelle Huppert. Stephanie Smee, who lives in Sydney, worked as a lawyer in Sydney and London before becoming a translator, specialising in French to English.
The ALCS Gold Dagger for Non-Fiction is awarded to Casey Cep, a staff writer at the New York Times whose first book Furious Hours: Murder, Fraud and the Last Trial of Harper Lee, has received acclaim on both sides of the Atlantic. An instant New York Times bestseller, Furious Hours was a Barack Obama Book of the Year.
The CWA Daggers are one of the few high-profile awards that honour the short story. Lauren Henderson receives the Short Story Dagger for #Me Too which features in the anthology Invisible Blood, edited by Maxim Jakubowski.
Linda Stratmann, Chair of the Crime Writers’ Association, said: “The winners, and all those who were in contention for a Dagger are, as always, to be commended. One thing the pandemic and lockdown has taught us is the value and importance of books and storytelling – for escapism and comfort and for our well-being. Books have always been the conduit to other worlds and into other lives. They let us know we are not alone, so our 2020 virtual awards feel even more significant as many vulnerable people are in enforced isolation and we are all socially distancing. We’re proud to celebrate the crime genre.”
The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year it goes to Scottish novelist Christopher Brookmyre, whose books mix comedy, politics and social comment. The journalist turned award-winning novelist is widely considered as one of Britain’s leading crime authors, selling more than two million copies of his novels in the UK alone.
One of the anticipated highlights of the annual Daggers is the Debut Dagger competition, open to unknown and uncontracted writers. The competition for unpublished writers can lead to them securing representation and a publishing contract. This year the winner is Josephine Moulds for Revolution Never Lies. Anna Caig was Highly Commended for The Spae-Wife.
The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, goes to Orenda Books. The London-based publisher was established in 2014 by Karen Sullivan.
Writer Barry Forshaw, MC for the Dagger Awards evening, said: “The CWA Dagger Awards are the most prestigious prizes in crime fiction, and this year has furnished a particularly strong set of books and authors. Nothing dampens the excitement of the Daggers – not even pandemics!”
One of the UK’s most prominent societies for the promotion and promulgation of crime writing, the CWA was founded in 1953 by John Creasy; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark. They are regarded by the publishing world as the foremost British awards for crime-writing.
The Winners:
GOLD DAGGER
Michael Robotham: Good Girl, Bad Girl (Sphere)
Lou Berney: November Road (Harper Fiction) – Highly Commended
IAN FLEMING STEEL DAGGER
Lou Berney: November Road (Harper Fiction)
JOHN CREASEY (NEW BLOOD) DAGGER
Trevor Wood: The Man on the Street (Quercus Fiction)
SAPERE BOOKS HISTORICAL DAGGER
Abir Mukherjee: Death in the East (Harvill Secker)
CRIME FICTION IN TRANSLATION DAGGER
Hannelore Cayre: The Godmother, translated by Stephanie Smee (Old Street Publishing)
SHORT STORY DAGGER
Lauren Henderson: #Me Too in Invisible Blood, edited by Maxim Jakubowski (Titan Books)
ALCS GOLD DAGGER FOR NON-FICTION
Casey Cep: Furious Hours (William Heinemann)
DAGGER IN THE LIBRARY
Christopher Brookmyre
DEBUT DAGGER
Josephine Moulds: Revolution Never Lies
Anna Caig: The Spae-Wife – Highly Commended
PUBLISHERS’ DAGGER
Orenda Books
ENDS
For further media info please contact Ann Chadwick, ann@causeuk.com M: 07534 892715.
Notes to Editors
About the CWA
The CWA was founded in 1953 by John Creasey. Its aim is to support, promote and celebrate this most durable, adaptable and successful of genres and the authors who write within it.
It holds the prestigious annual CWA Dagger Awards, which celebrate the best in crime writing.
A thriving, growing community with a membership encompassing authors of all ages and at all stages of their careers, the CWA is UK-based, yet attracts many members from overseas.
It supports author members (plus literary agents, publishers, bloggers and editors) with a monthly magazine; a digital monthly newsletter showcasing CWA authors and their books and events that goes to over 11,500 subscribers; and Case Files, a bimonthly ezine highlighting new books by CWA members. www.thecra.co.uk
The CWA also supports the Debuts; as yet unpublished writers, many of whom enter the Debut Dagger competition and the Margery Allingham Short Mystery competition.
In normal times, the CWA runs an annual conference and holds chapter meetings throughout the UK so members can access face-to-face networking and socialising.
It supports libraries and booksellers, with two Library Champions and a Booksellers Champion. It has links with various festivals and other writers’ organisations such as the Society of Authors.
https://thecwa.co.uk/
CWA Dagger Judging Panels
All the panels are independent of the CWA. The full lists of judging panels can be found at https://thecwa.co.uk/the-daggers
The 2020 CWA Dagger longlists are available on the CWA website.
CWA Daggers – The Categories
This award is for the best crime novel by an author of any nationality. It was originally created in 1955, under the name of the Crossed Red Herrings Award. It was renamed the Gold Dagger in 1960.
Eligible books in this category are thrillers set in any period and include, but are not limited to, spy fiction, psychological thrillers and action/adventure stories.
This award is for the best crime novel by a first-time author of any nationality.
CRIME FICTION IN TRANSLATION
This award is for a crime novel not originally written in English and which has been translated into English for UK publication.
This award is for any non-fiction work on a crime-related theme by an author of any nationality.
This award is for the best historical crime novel, set in any period up to 50 years prior to the year in which the award will be made.
CWA SHORT STORY DAGGER
This award is for any crime short story first published in the UK in English in a publication that pays for contributions, or broadcast in the UK in return for payment.
The Dagger in the Library is a prize for a body of work by an established crime writer who has long been popular with borrowers from libraries, and who has supported libraries and their users. Librarians nominate the authors.
A competition for the opening of a crime novel and synopsis, chosen by judges: bestselling author Leigh Russell, editor Stephanie Glencross (of Jane Gregory/ David Higham Associates), Editorial Director at Bonnier Zaffre Katherine Armstrong, and director of literary agency A.M. Heath and Co. Oli Munson.
This prestigious Dagger is awarded annually to the Best Crime and Mystery Publisher of the Year.
DIAMOND DAGGER
Awarded every year to an author whose crime-writing career has been marked by sustained excellence, and who has made a significant contribution to the genre. Votes from CWA members go forward to be deliberated on by an independent panel.
This Dagger is announced in early spring each year and in 2020 goes to celebrated Golden Age specialist, anthology editor, reviewer and fiction writer Martin Edwards.
To view past winners, or find out more, please visit https://thecwa.co.uk/the-daggers
Dagger Sponsors
ALCS – Sponsors of the Gold Dagger for Non-Fiction
The Authors’ Licensing and Collecting Society (ALCS) is a not-for-profit organisation started by writers for the benefit of all types of writers. Owned by its members, ALCS collects money due for secondary uses of writers’ work. It is designed to support authors and their creativity; ensure they receive fair payment and see their rights are respected. It promotes and teaches the principles of copyright and campaigns for a fair deal. It represents over 100,000 members, and since 1977 has paid around £500 million to writers.
alcs.co.uk
Ian Fleming Publications Ltd – Sponsors of the Ian Fleming Steel Dagger
Ian Fleming Publications Ltd is the Fleming family-owned company that looks after the James Bond literary brand, by promoting and making available all of Ian Fleming’s 007 books across the world. They also keep the brand alive through the publication of new stories by authors such as Anthony Horowitz, William Boyd, Jeffery Deaver, Sebastian Faulks, Raymond Benson, John Gardner, Kingsley Amis, Samantha Weinberg, Steve Cole and Charlie Higson. Alongside James Bond publishing, the company also manages the rights for Fleming’s two non-fiction books and his only children’s book, Chitty Chitty Bang Bang.
http://www.ianfleming.com
Sapere Books – Sponsors of the CWA Historical Dagger
Sapere Books is a digital-first publisher with a keen interest in historical and contemporary crime fiction and thrillers. Having launched in March 2018, Sapere Books now has many authors signed to its list and continues expanding. It is always keen to hear from crime writers, particularly those who are working on a planned series, or who have out-of-print titles which could be reissued digitally. We are very grateful for the support the CWA has shown us since our launch and are thrilled to be the sponsors of the Historical Dagger.
https://saperebooks.com/