Cause UK specialise in supporting ethical businesses, good causes, festivals and the arts with award winning public relations services.
The 2024 longlists for the prestigious Crime Writers’ Association (CWA) Dagger awards, which honour the very best in the crime-writing genre, have been announced [8pm, April 20 at the CWA…
The 2024 longlists for the prestigious Crime Writers’ Association (CWA) Dagger awards, which honour the very best in the crime-writing genre, have been announced [8pm, April 20 at the CWA annual conference, Brighton].
Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.
Past winners of the prestigious Gold Dagger, which is awarded for the best crime novel of the year, include Ian Rankin, John le Carré, Reginald Hill, and Ruth Rendell.
Authors in contention for the Gold Dagger this year include the debut novel Black River from Nilanjana Roy. She is up against stalwarts of the genre Mick Herron, Chris Hammer, and Dennis Lehane.
Also in the category are historical crime writer Alis Hawkins, the journalist turned international bestseller, Julia Haeberlin, and the bestselling children’s author Maz Evans with her first adult debut novel, Over My Dead Body.
The Ian Fleming Steel Dagger, sponsored by Ian Fleming Publications Ltd, showcases the thriller of the year.
The longlist for 2024 includes James Wolff, who was a British intelligence officer for over ten years before leaving to write espionage novels, with The Man in the Corduroy Suit.
He’s joined by giants of the genre Linwood Barclay, David Baldacci, and Karin Slaughter alongside relative newcomers such as Jordan Harper, whose second thriller, Everybody Knows, makes the longlist.
Also in contention are TJ Newman, the former flight attendant who became a Hollywood sensation with her latest thriller, Drowning, and Japanese author Isaka Kotaro for The Mantis; Kotaro is best-known for Bullet Train, which was adapted into a Brad Pitt movie.
Vaseem Khan, Chair of the Crime Writers’ Association, said: “As ever, the announcement of the CWA Daggers longlist is greeted with immense excitement in the crime and thriller writing world. Once again, our independent panels of expert judges have mulled, cogitated, debated, and, when all else has failed, challenged each other to duels, in their sterling efforts to pick longlists from the incredible array of books submitted to each Dagger. The Daggers are the gold standard of awards in the genre, and Dagger recognition has often served as a stepping stone for careers. More importantly, a Dagger longlisting means that genre readers can be assured of quality. Buy these books. You will not be disappointed.”
The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels.
Among the rising stars of 2024 is Jo Callaghan with her BBC Between the Covers Book Club pick, The Blink of an Eye; the sensational fiery debut featuring a crime-solving queer punk nun, Scorched Grace by Margot Douaihy, and the Victorian gothic, The Tumbling Girl from Bridget Walsh.
Booker Prize winner John Banville is a heavyweight contender on the Historical Dagger longlist. The prizewinning novelist and literary polymath is in the running for The Lock-Up. Banville is up against established names including Ambrose Parry, S.G. MacLean, Alis Hawkins, and James Lee Burke with Flags on the Bayou.
The Crime Fiction in Translation Dagger includes international hits such as The Prey from the Icelandic author Yrsa Sigurðardóttir, translated by Victoria Cribb; Maud Ventura’s My Husband, translated by Emma Ramadan, which was a sensation in France, likened to Patricia Highsmith and Gone Girl. And the Spanish writer Javier Castillo behind the international phenomenon, The Snow Girl, which was adapted to screen by Netflix, translated by Isabelle Kaufeler.
The ALCS Gold Dagger for Non-Fiction includes Nicholas Shakespeare’s Ian Fleming: The Complete Man; The Art Thief by Michael Finkel, the true story of the world’s most prolific art thief who accumulated a collection worth over $1.4 billion, and No Comment by Jess McDonald, who quit her job as a Met detective to tell all about her work on rape and domestic violence cases that left her with PTSD and a determination to speak out.
The CWA Daggers are one of the few high-profile awards that honour the short story.
This year sees the bestselling juggernaut Lee Child with his story Safe Enough. He’s up against Robert Scragg with Revenge is Best Served Hot, Sanjida Kay’s The Divide, and Rachel Amphlett with Three Ways to Die.
The Dagger in the Library nominees are voted by librarians and library users, chosen for the author’s body of work and support of libraries. This year sees firm favourites from the genre including MW Craven, Anthony Horowitz, Vaseem Khan, and LJ Ross.
The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, pits big publishing houses including Harper Fiction Headline and Simon & Schuster against independent publishers Joffe Books, Bitter Lemon Press and Canelo.
The Debut Dagger, which has been going for over 20 years, celebrates aspiring crime novelists.
The competition is open to unpublished authors, and is judged on the best opening for an unpublished crime novel. The winner will gain the attention of leading agents and top editors; over two dozen past winners and shortlisted Debut Dagger authors have signed publishing deals to date.
The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring and in 2024 it was jointly awarded to Lynda La Plante and James Lee Burke.
The CWA Dagger shortlists will be announced on 10 May at the UK’s largest crime fiction convention, CrimeFest, hosted in Bristol.
The winners will be announced at the award ceremony at the CWA gala dinner on July 4.
The Longlists in Full:
GOLD DAGGER
Maz Evans Over My Dead Body, Headline
Chris Hammer Dead Man’s Creek, Wildfire Books
Alis Hawkins A Bitter Remedy, Canelo
Julia Haeberlin Night Will Find You, Penguin (Michael Joseph)
Mick Herron The Secret Hours, Baskerville (John Murray)
J G Kelly The White Lie, Hodder & Stoughton
Vaseem Khan Death of a Lesser God, Hodder & Stoughton
Dennis Lehane Small Mercies, Abacus (Little Brown)
Una Mannion Tell me What I Am, Faber & Faber
Kate Morton Homecoming, Mantle (Pan Macmillan)
Nilanjana Roy Black River, Pushkin (Vertigo)
Jesse Sutanto Vera Wong’s Unsolicited Advice for Murderers, HQ (Harper Collins)
IAN FLEMING STEEL DAGGER
David Baldacci Simply Lies, Macmillan (Pan Macmillan)
Linwood Barclay The Lie Maker, HQ (HC)
S A Cosby All the Sinners Bleed, Headline (Hachette)
Eli Cranor Ozark Dogs, Headline (Hachette)
C M Ewan The House Hunt, Macmillan (Pan Macmillan)
Jordan Harper Everybody Knows, Faber & Faber
Kotaro Isaka The Mantis, Harvill Secker (PRH)
Femi Kayode Gaslight, Raven Books (Bloomsbury)
D L Marshall 77 North, Canelo
T J Newman Drowning, Simon & Schuster
Karin Slaughter After that Night, HarperCollins
James Wolff The Man in the Corduroy Suit, Bitter Lemon Press
ILP JOHN CREASEY (NEW BLOOD) DAGGER
Kathryn Black A Most Unusual Demise, Bloodhound Books
Jo Callaghan In The Blink of An Eye, Simon & Schuster UK
Amy Chua The Golden Gate, Corvus (Atlantic Books)
Margot Douaihy Scorched Grace, Pushkin Vertigo
Helen Erichsen Murder By Natural Causes, Muswell Press
Kate Foster The Maiden, Mantle (Pan Macmillan)
Jessa Maxwell The Golden Spoon, Penguin
Dann McDorman West Heart Kill, Raven Books
Liza North Obsessed, Constable
Michelle Teahan Go Seek, Headline Publishing Group
Charlotte Vassell The Other Half, Faber & Faber
Bridget Walsh The Tumbling Girl, Gallic Books
HISTORICAL DAGGER
Lucy Ashe Clara & Olivia, Magpie (Oneworld Publications)
John Banville The Lock-Up, Faber & Faber
James Lee Burke Flags on the Bayou, Orion Fiction (Hachette)
Anita Davison Murder in the Bookshop, Boldwood Books
Louise Hare Harlem After Midnight, HQ (HarperCollins)
Jake Lamar Viper’s Dream, No Exit Press
S.G. MacLean The Winter List, Quercus Fiction (Quercus)
Tom Mead The Murder Wheel, Aries (Head of Zeus)
Leonora Nattrass Scarlet Town, Viper (Profile Books)
Ambrose Parry Voices of the Dead, Canongate Books
Isabelle Schuler Lady MacBethad, Raven Books (Bloomsbury)
CRIME FICTION IN TRANSLATION DAGGER
Javier Castillo The Snow Girl, translated by Isabelle Kaufeler, Penguin Books
Juan Gómez-Jurado Red Queen, translated by Nick Caistor, Macmillan
Arnaldur Indridason The Girl By The Bridge, translated by Philip Roughton, Vintage
Kotaro Isaka The Mantis, translated by Sam Malissa, Vintage
Âsa Larsson The Sins Of Our Fathers, translated by Frank Perry, Maclehose Press
Jenny Lund Madsen Thirty Days Of Darkness, translated by Megan E.Turney, Orenda Books
Cloé Mehdi Nothing Is Lost, translated by Howard Curtis, Europa Editions UK
Schneider Hansjörg He Murder Of Anton Livius, translated by Astrid Freuler, Bitter Lemon Press
Im Seong-sun The Consultant, translated by An Seong Jae, Raven Books
Mikhail Shevelev Not Russian translated by Brian James Baer & Ellen Vayner, Europa Editions UK
Yrsa Sigurdardottir The Prey, translated by Victoria Cribb, Hodder & Stoughton
Maud Ventura My Husband, translated by Emma Ramadan, Hutchinson Heinemann
ALCS GOLD DAGGER FOR NON-FICTION
Michael Finkel The Art Thief, Simon & Schuster
Beverly Gage G-Man, Simon & Schuster
Lara Love Hardin The Many Lives of Mama Love, Endeavour
Matt Johnson with John Murray No Ordinary Day, Ad Lib Publishers
Miles Johnson Chasing Shadows, The Bridge Street Press
Patrick Radden Keefe The Snakehead, Picador
Jennifer McAdam with Douglas Thompson Devil’s Coin, Ad Lib Publishers Ltd
Jess McDonald No Comment, Raven Books
Alex Mar Seventy Times Seven, Bedford Square Publishers
Jennifer Robinson & Keina Yoshida How Many More Women? Endeavour
Nicholas Shakespeare Ian Fleming: The Complete Man, Vintage
David Wilson Murder at Home, Sphere
SHORT STORY DAGGER
Rachel Amphlett Three Ways to Die from No W.W.M. – Thrill Ride #3, edited by M. L. “Matt” Buchman, Buchman Bookworks, Inc
Lee Child Safe Enough from An Unnecessary Assassin, edited by Lorraine Stevens, Rivertree
Mia Dalia The Last Best Thing from Bang!:An Anthology of Modern Noir Fiction, edited by Andrew Hook, Head Shot Press
Andrew Humphrey Slap Happy from Bang!:An Anthology of Modern Noir Fiction edited by Andrew Hook, Head Shot Press
Benedict J Jones The Also-Rans from Bang!:An Anthology of Modern Noir Fiction edited by Andrew Hook, Head Shot Press
Sanjida Kay The Divide from The Book of Bristol edited by Joe Melia and Heather Marks, Comma Press
Ambrose Parry The Spendthrift and the Swallow, Canongate Books
DG Penny Drive from An Unnecessary Assassin edited by Lorraine Stevens, Rivertree
FD Quinn Best Served Cold from An Unnecessary Assassin edited by Lorraine Stevens, Rivertree
Robert Scragg Revenge is Best Served Hot from An Unnecessary Assassin edited by Lorraine Stevens, Rivertree
DAGGER IN THE LIBRARY
Louise Candlish
MW Craven
Lucy Foley
Cara Hunter
Anthony Horowitz
Vaseem Khan
Angela Marsons
Kate Rhodes
LJ Ross
Diane Saxon
PUBLISHERS’ DAGGER
Bitter Lemon Press
Canelo
Harper Fiction (HarperCollins)
Harvill Secker (PenguinRandomHouse)
Headline (Hachette)
Joffe Books
Michael Joseph (PenguinRandomHouse)
Pushkin Press
Raven (Bloomsbury)
Simon & Schuster
DEBUT DAGGER Sponsored by ProWritingAid
Katherine Ahlert, Burnt Ranch
Caroline Arnoul, Unnatural Predators
Matt Coot, Vilomah
Judy Hock, Good Criminals
JR Holland, Vigilante Love Song
Alan Jackson, Bluebirds
Richard Jerram, Makoto Murders
Lynn McCall, Long Way Home
Karabi Mitra, Not a Good Mother
Jeremy Tinker, The Last Days of Forever
James Tobin, A Politician’s Guide to Murder
Megan Toogood, The Blond
ENDS
For further media info please contact Ann Chadwick, ann@causeuk.com M: 07534 892715.
Notes to Editors
For logos/Dagger images for media use, go to: https://www.dropbox.com/scl/fo/oozdng73ek448n3al0uqe/ACVZqPCkOlUvywcFENEhBn8?rlkey=l3705575iacwt2jd8chi6s3pr&dl=0
The longlists are available on the CWA website as well as via its Facebook, Twitter #CWADaggers and YouTube channel.
CWA Dagger Judging Panels
The judges, who have been deliberating on the submissions from publishers include leading authors, bloggers, newspaper reviewers, academics, and media professionals.
You can view the judging panel for each category on the CWA website: The Daggers — The Crime Writers’ Association (thecwa.co.uk)
Dagger Sponsors
ALCS – Sponsors of the Gold Dagger for Non-Fiction
The Authors’ Licensing and Collecting Society (ALCS) is a not-for-profit organisation started by writers for the benefit of all types of writers. Owned by its members, ALCS collects money due for secondary uses of writers’ work. It is designed to support authors and their creativity; ensure they receive fair payment and see their rights are respected. It promotes and teaches the principles of copyright and campaigns for a fair deal. It represents over 100,000 members, and since 1977 has paid around £500 million to writers.
Ian Fleming Publications Ltd – Sponsors of the Ian Fleming Steel Dagger
Ian Fleming Publications Ltd is the Fleming family-owned company that looks after the James Bond literary brand, by promoting and making available all of Ian Fleming’s 007 books across the world. They also keep the brand alive through the publication of new stories by authors such as Anthony Horowitz, William Boyd, Jeffery Deaver, Sebastian Faulks, Raymond Benson, John Gardner, Kingsley Amis, Samantha Weinberg, Steve Cole and Charlie Higson. Alongside James Bond publishing, the company also manages the rights for Fleming’s two non-fiction books and his only children’s book, Chitty Chitty Bang Bang.
International Literary Properties (ILP) – Sponsors of the John Creasey (New Blood) Dagger
International Literary Properties works with authors, playwrights, managers of literary estates, and individual heirs to help realize the value from book and play-based intellectual property. ILP acquire all or partial rights to literary intellectual property, including books, plays and books of musicals. ILP own, nurture and champion a substantial number of properties, many authored by household names, in genres as diverse as mystery, crime, classic literature, non-fiction, and children’s. Its experienced team works closely with award-winning TV, film, and stage producers across the world.
ProWritingAid – Sponsors of the Debut Dagger
ProWritingAid was created by writers, for writers. Our primary goal is to help new writers get their stories and ideas across in the clearest and most effective way possible. We are passionate about language and believe good stories are intrinsically entwined with the words and phrases used to express them. ProWritingAid will never replace a human editor (our software can’t spot your plot holes!) Rather, our software helps you self-edit to a deeper level so that when you send your manuscript off to a human editor, they can focus on the content of your writing and not spend their time fixing basic writing issues like passive voice or emotion tells.
We are thrilled to sponsor the Debut Dagger competition. ProWritingAid’s primary goal is to help more writers get their stories out into the world, and the Debut Dagger is such an amazing opportunity for new crime writers to get their work in front of people that matter.
Maxim Jakubowski – Sponsor of the Crime Fiction in Translation Dagger
The Crime Fiction in Translation Dagger is sponsored by former CWA Chair, Maxim Jakubowski, in honour of his wife Dolores Jakubowski, who was a translator and university lecturer but now suffers from Alzheimer’s.
Maxim said: “Dolores is well-known to the crime writing community as she’s been at my side for decades at book launches, parties, Dagger Award dinners and festivals worldwide, where she was always popular and a good friend to many involved in the genre.”
Maxim will sponsor the Crime Fiction in Translation Dagger in her honour in perpetuity, beginning this year and continuing after his tenure in the Chair.
About the CWA
The CWA was founded over 70 years ago by John Creasey. Its aim is to support, promote and celebrate this most durable, adaptable, and successful of genres and the authors who write within it. It runs the prestigious CWA Dagger awards, which celebrate the best in crime writing.
A thriving, growing community with a membership encompassing authors of all ages and at all stages of their careers, the CWA is UK-based, yet attracts many members from overseas.
It supports author members (plus literary agents, publishers, bloggers, and editors) with a monthly magazine; a digital monthly newsletter showcasing CWA authors and their books and events that goes to over 12,000 subscribers; and Case Files, a bimonthly ezine highlighting new books by CWA members. www.thecra.co.uk
The CWA also supports the Debuts; as yet unpublished writers, many of whom enter the Debut Dagger competition and the Margery Allingham Short Mystery competition.
The CWA run an annual conference and hold chapter meetings throughout the UK and internationally so members can access face-to-face networking and socialising.
It supports libraries and booksellers, with three Library Champions and Booksellers Champions. It has links with various festivals and many other writers’ organisations such as the Society of Authors.
https://thecwa.co.uk/
To view past winners, or find out more, please visit https://thecwa.co.uk/the-daggers